On the Detroit Opera, Yuval Sharon reimagined Mozart’s story of infidelity for the age of synthetic intelligence; on the Brooklyn Academy of Music, Barrie Kosky supplied a fiercely expressive staging of Kurt Weill’s Weimar-era work.
‘Così fan tutte’ and ‘The Threepenny Opera’ Reviews: Directors Disrupt the Classics
On the Detroit Opera, Yuval Sharon reimagined Mozart’s story of infidelity for the age of synthetic intelligence; on the Brooklyn